Відео

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It looks cool but it also looks glitchy

Nice, it has a whirlwind memory feel to it. You can feel the moments pass you by

cam B .red komodo

What about on my Samsung Galaxy A54?

Fofr

I know everything!

why do people think their not shot on the red komodo?

In terms of color science its a closest camera to Alexa 35

i have a zcam e2 s6 and want to acchive these sort of looks , is it possible and can you show how xxx big luv

Late to the party here but what codec did you use in the ZCAM?

I know FA!

why so many people want to me guessing camera, just put it there, people are in a hurryyy

i know everything

camera A is blank, camera B is Blank

A is zcam

Wondering if the F6 has been something you would consider or you just love the super35 sensor?

Cody What was the controversy about the red Komodo ??

Duuuude your setup is so sick. I love the mirror. Amazing.

what's the font?

Nice ❤

Love watching colorist do their thing, another certified banger in my feed. :D

Appreciate you showing your process + content in general

Awesome grade bro!

Great Video Bro!

I chose correctly :) It was the underpass shots that convinced me. Something about the sharpness of the motion in the shot at 3:02 is what convinced me. Perhaps it's because I own a Komodo so I am very used to how it feels. That or a lucky guess haha

Would you say there's a way to make pretty much any apartment rather cinematic with proper lighting? I have a 1br in a basement and I'd love to make some cinematic-looking UA-cam videos on psych/ai

so so good

Beautiful

proud of you for being in front of the camera! Love the education in the video and the challenge you gave yourself

I’m still on the S6 hoping one day to upgrade but of course I went and dived into 16mm and bought a K3 - I think I may be a little loopy - thanks for the vids have enjoyed your work muchly

Yoooooo this is dope af

love this video, very simple and helpful. Cheers

I really dig this video! Come across due to I just grabbed a set of 3 myself. Great message at the end.. keep crushing it poTnaH!

Failed 😂😂

I am the first guy that comet in the shorts

I know everything and glad sold my Zcam and got Komodo.

I thought the Komodo looked significantly better. Worth double the cost? Maybe, but I don’t like RED as a business.

I like your setting

I know everything :) I also own the Komodo and the S6. While the images were to all incense and porcupines much the same, the tracking shot of the skateboarder was the giveaway for me. You just can’t miss the global shutter of the Komodo, and as good as the S6’s image is, it doesn’t move with the finesse of the Komodo. Beyond the sensor, as you know, the other major advantage of the Komodo is REDCode RAW. That beautiful 16bit raw codec that you can stretch like pizza dough in post is another compelling advantage of the Komodo. I don’t even know if Z Raw is still a thing (My NLE doesn’t think so) and as good as its ProRes codecs are, they are no match for Red Raw. The other advantage of the Komodo is its industry standard workflow, especially if you get hired as a DP. Tell a client (or their editor/post production supervisor) you’ll be handing off RED RAW to them and they want to marry you. Tell them you have ProRes files from the S6, they’re not as keen, and then tell them the ProRes files are in Z-Log and they don’t want to date you at all. Then there’s the ease of grading within RED’s IPP2 color space which is a lot more straightforward compared to the S6. Color Space Transform in Resolve, for example, will handle the Rec709 conversation in just a couple of clicks and without LUTs too. And if that’s not enough, there’s the bigger and more useable LCD panel, the traffic light exposure system, the advantage of ISO being only metadata, SDI output, 2 stops more dynamic range (at least officially), and RED Control - arguably the best remote camera app there is. One thing the S6 has going for it is its price. Rigged, my Komodo cost me over $10k. My S6 was about half that - and for that price, it does a great job, and as you’ve demonstrated in this video, one way or the other, it can produce images that generally hold up against the Komodo… …but that global shutter, REDCode Raw, IPP2… ;-)

0:58 is that NF on the tv?????

I've been using S6 for almost 3 years and I picked wrong! haha

Some pretty good tips and stuff on this channel! Gj

go in more depth on what the red does btter than the zcam

I was hoping I was wrong, but I know everything. For low light.. that price difference kinda seems a bit worth it..

The biggest giveaway for me were the highlights of the fire. Although the z-cam might show a bit more detail, it looks very unnatural and digital. Im a big fan of z-cam an I never really noticed it myself, but side by side its pretty clear. RED just handled the highlights so gracefully.

Yooo how much did he have to pay for all of this? This is cool af

The sheet and the lights for the fake stage lighting is so smart. Crazy idea 🔥

What lens are you using for your talking head man? Vid was amazing!

This is sick!! Super creative, super achievable. Looking forward to more of your content mate!